Paintings inspired by Love
Love is the Answer Oil on Canvas , 12"x9" 12/2020
The Alchemy of Love Oil on Canvas 32"x24" 3/2021
The Oxytocin Harp 3D Holographic Lenticular 18" x 24" 6/2021
This series of paintings is based on love.and the feelings it elicits. The electro chemical reactions to love in the brain, and the desire it causes.
We are here to evolve, learn, accomplish, inspire, and create. There are combinations of these elements that give us drive and will. No matter where we come from, what our status is, intellectual prowess, or position in life, I feel there is one more thing beyond the elements that makes most of us the same. Love. Beyond all the distractions and glamour, pain, and suffering, I feel we all want to love and be loved. I'll close this book with the wish that you have love in your life and heart and that it attracts the love you deserve.
"Love is the Answer" is the first of the series and depicts the love of a couple as they affectionately lean towards echother.They are formed simply by the archway the defines day from night. A golden film that seperates the dark from the light. Their love is universal and exists in the complexity that is the world around us. Each thermal whisp in the space time of the scene is executed to visulaize the wondrous complexity of even the most simple landscape. Know that the same complex fluidity flows within and throughout the space between your molecules, with each complex pocket formed dby the movement of temperature and corpuscular movement. The world around us is a wondrous place, but just behind the verneer of our senses, lies a world beyond the dreams of most.
Love is the Answer Oil on Canvas 12"x9" Louis Markoya - 2020
Love is the Answer is based on the tiny painting to the left, which has been brought to visualization utilizing the very latest in Neural software and deep dreams.
That painting which I did long ago was based on a combination of two Dali works shown below, Couple with Heads full of Clouds and Architectural Reminiscence of Millets Angelus.
THe Alchemy of Love Oil on Canvas, 32"x24" 3/2021
Ornamengenitalia of Marie Thérèse of Austria
Ornamengenitalia of Françoise Athénaïs
Mandelbulb 3d Generated Erotic Fractals
Louis XIV, the Sun King, was a great patron of the arts and perhaps his greatest accomplishment is the jewel of the Baroque movement, the Palace at Versailles.
Much has been written about the sexual and romantic escapades of Louis XIV. With the unveiling of my two Onamengenitalia portraits, for the first time in history the world can come to know how the vaginas of his wives and lovers truly affected him and how they affected the magnificence we have come to know as Versailles.
Much has also been written on the politics of the vagina, the lives lost and wars fought in its honor or desire, but little has been done to reveal the influence of the organ on the arts.
Not until the geometric and mathematical capabilities of three dimensional fractals have we been able to image and materialize these long forgotten and turned to dust vaginas of queens, to realize just how they affected the mind and actions of the king in designing and executing the most beautiful and extravagent palace known.
From Wikipedia: "Baroque architecture is the building style of the Baroque era, begun in late 16th-century Italy, that took the Roman vocabulary of Renaissance architecture and used it in a new rhetorical and theatrical fashion, often to express the triumph of the Catholic Church and the absolutist state. It was characterized by new explorations of form, light and shadow and dramatic intensity."
Here, in Versailles, and in the depicting of the Ornamengenitalia of Louis XIV's queens, we come to understand that the Baroque movement, and its granduer is not only attributed to the phenomenology of the orgasm, but to the vagina itself.
Again from Wikipedia;"When the château was built, Versailles was a country village; today, however, it is a wealthy suburb of Paris, some 20 kilometres southwest of the French capital. The court of Versailles was the center of political power in France from 1682, when Louis XIV moved from Paris, until the royal family was forced to return to the capital in October 1789 after the beginning of the French Revolution. Versailles is therefore famous not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime."
Versailles was in short, the vision of Louis XIV's erection. The dream manifested from the vision and dreams created by these magnificent genetalia.
I am pleased to have recreated them for the sake of history, and for the magnificence of the crowning glory of Versailles.