These forms exist everywhere, and can be applied to all of art, but here I have chosen to apply the techniques to some of my favorite genres which include the Pre-Raphaelites and Art Nouveau. IN my two examples below I have transformed Rossetti's Proserpine, and Gustave Klimt's Judith to update the masterpieces. The application of the evolved nuclear mystical understanding nature of matter, while maintaining the paintings original beauty make for a magical combination.

Here again I have attempted to find a balance of the apollonian and dionysian as suggested d by Nietzche, to form a true masterpiece. Where the liquid and dream-like forms of the background and  textures form the Dionysian and contrast with the amazing original females form the Appolinian. As the foreground and background and the figures are melded together by the string like textures that connect them all, the paintings show how not only is there space between atoms, but that density, temperature and movement all effect the fluidity of everything around us.

Once I understood Nietzsche's concept I understood much of abstract expressionism, and in particular Pollack. I was then able to utilize these seemingly unstructured styles to better convey the ideas and concepts behind much of Dali's Nuclear Mysticism and evolve them into the geometry I use today.